This is a piece I am currently working on and is working well both conceptually and aesthetically. This is due to the language which has formed in respect of the placement of the mirror and the relationship they have with the rods and steel plates. The rods sway and bounce and induce a kentic element to a formalist aesthetic. The mirrors allude and infer to another place as a window but reflect the conversation between the two rods. A reference perhaps to human forms and relations. Energies and stimuli of the transcendental framed spaces reflect back and forth between the mirrors and the rods. The monotonal aesthetic of the pieces and the placement of the rods in the floor all induce a coma in which the mirrors encapsulate the rods and steel plate stands and propel the pieces towards each other.
